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Wedding shot list

A wedding shot list template, worked through

Five groups in the order a wedding day runs, a duration on every row, and the two rows that decide whether the afternoon works — the ceremony you cannot move and the portraits that want the last hour of sun.

31 shots in 5 groups, 25 of them marked must-have, 5h 6m of shooting before you add travel, meals and the set-up at either end. Every column on it is explained in the shot list template.

A wedding is a running order before it is a list

Most of a shot list is yours to sequence. A wedding is not: the ceremony starts when the registrar or the officiant says it starts, and everything else on the day is either before it or after it. So the groups below are the parts of the day in the order they happen, and the value of writing them down is that you can see what has to finish before the ceremony and what has room to move after it.

Two sections are worth more attention than the rest. Family groups over-run on almost every wedding where they were not written down beforehand, because the list is being assembled out loud while thirty people stand about — one row per grouping, agreed with the couple in advance, is the whole fix. And the couple portraits are the only group whose time is decided by the sun rather than by you.

Photograph the details before the day starts moving

The rings, the stationery, the empty ceremony room and the dressed reception room are all rows that stop being possible the moment people arrive. They sit at the top of their groups for that reason, and they are marked must-have so that a morning running forty minutes late takes something else instead.

The list

A — Preparation6 shots · 1h 7m

Shot in one room over a couple of hours, on window light. The details are photographed first because they are the only part of the morning that will hold still.

RefShotSizeAnglePriorityEst.
A 1Dress or suit hanging, window light behindPortrait · Tags: DetailsDETEye levelMust-have10m
A 2Rings, shoes, stationery and flowers togetherSquare · Tags: DetailsAsk for the rings early: they are usually with somebody who has left the room.DETOverhead / flat layMust-have12m
A 3Hair and make-up, workingPortrait · Tags: PreparationMCUEye levelMust-have15m
A 4Buttons, cufflinks, a veil being fixedPortrait · Tags: PreparationCUEye levelMust-have10m
A 5Full length in the room, ready to leavePortrait · Tags: PortraitsMWSEye levelMust-have10m
A 6Parents seeing them for the first timeLandscape · Tags: FamilyUnrepeatable, and it happens whether or not you are ready. Be in the room early.MSEye levelNice-to-have10m

B — Ceremony8 shots · 58m

The one part of the day that starts at a time somebody else set. Everything above it has to finish before it, and everything below it moves when it over-runs.

RefShotSizeAnglePriorityEst.
B 7Room empty, wide from the backLandscape · Tags: VenueOnly possible before the guests are seated. It is the first thing to be lost when the morning runs late.WSEye levelMust-have5m
B 8Guests arriving and being seatedLandscape · Tags: GuestsMWSHighNice-to-have10m
B 9Waiting at the frontPortrait · Tags: CeremonyMCUEye levelMust-have5m
B 10The walk in, from the frontLandscape · Tags: CeremonyMSEye levelMust-have5m
B 11Vows and rings, handsLandscape · Tags: CeremonyCUEye levelMust-have10m
B 12The kiss, from the aisleLandscape · Tags: CeremonyMSEye levelMust-have5m
B 13Signing the registerLandscape · Tags: CeremonySome registrars will not allow a photograph during the signing itself and will set one up afterwards. Ask at the rehearsal or on arrival.MSEye levelMust-have8m
B 14Walking back out, confettiLandscape · Tags: CeremonyMWSEye levelMust-have10m

C — Family groups7 shots · 48m

The section that runs long on every wedding that has not written it down. One row per grouping, agreed with the couple beforehand, and a named person from each family to call people forward.

RefShotSizeAnglePriorityEst.
C 15Couple with partner one’s parentsLandscape · Tags: FamilyMWSEye levelMust-have5m
C 16Couple with partner one’s immediate familyLandscape · Tags: FamilyWSEye levelMust-have5m
C 17Couple with partner two’s parentsLandscape · Tags: FamilyMWSEye levelMust-have5m
C 18Couple with partner two’s immediate familyLandscape · Tags: FamilyWSEye levelMust-have5m
C 19Both families togetherLandscape · Tags: FamilyWSEye levelMust-have8m
C 20Couple with the wedding partyLandscape · Tags: FamilyWSEye levelMust-have10m
C 21Everybody, from a heightLandscape · Tags: GuestsNeeds a first-floor window, a balcony or a step ladder. Find it before the day rather than during it.EWSHighNice-to-have10m

D — Couple portraits4 shots · 50m

The one group whose time is set by the light rather than by the schedule. Pin it to golden hour and let the rest of the afternoon move around it.

RefShotSizeAnglePriorityEst.
D 22Walking away from camera, wideLandscape · Tags: PortraitsWSEye levelMust-have10m
D 23Close, forehead to foreheadPortrait · Tags: PortraitsMCUEye levelMust-have10m
D 24Against the venue, backlit, low sunLandscape · Tags: Portraits, VenueThe row to anchor to golden hour. Everything else in this group can follow it.EWSLowMust-have15m
D 25Slow walk towards cameraLandscape · Gimbal · 25 fps · Mute · 8s · Tags: PortraitsEight delivered seconds off a fifteen-minute set-up. The delivered length is in seconds and the estimate beside it is in minutes.MWSEye levelNice-to-have15m

E — Reception6 shots · 1h 23m

Indoors and after the light has gone, so it is lit rather than found. The empty room has to be photographed before anybody is let in.

RefShotSizeAnglePriorityEst.
E 26Room dressed, before the guests come inLandscape · Tags: VenueWSEye levelMust-have10m
E 27Place setting, favours and stationerySquare · Tags: DetailsDETOverhead / flat layNice-to-have8m
E 28Cake, litPortrait · Tags: DetailsMSEye levelMust-have5m
E 29Speeches, and the reactions to themLandscape · Tags: ReceptionHalf of this row is the top table and half of it is the room. Both are wanted.MCUEye levelMust-have25m
E 30First dance, wide then closeLandscape · Tags: ReceptionMWSEye levelMust-have15m
E 31Dance floor, on flashLandscape · Tags: ReceptionMSEye levelNice-to-have20m

The letters are the groups’ positions and the numbers run down the whole list, so moving a group re-letters everything under it. The durations are round starting numbers rather than measurements — replace them with your own after the first shoot. How long a photoshoot takes goes through where a real number comes from.

Anchor the portraits and let the day fall around them

Golden hour on a wedding is a fixed window that moves by a minute or two a day and by an hour or more across a season, and a July wedding in Scotland puts it long after the speeches. Pin the backlit portrait to that window and the running order is worked out around it, rather than the portraits being the thing that gets cut when the cake is late. Planning a shoot around golden hour works through a whole day built that way, and the schedule computes the window from the venue’s coordinates and the date.

What the couple gets, and what the crew gets

The same list answers both. Read the group column top to bottom and it is the day in order, which is the version a second photographer works from. Read the tag column sideways — Details, Family, Portraits, Reception — and it is the delivery cut, without a row moving. Groups and tags are not the same thing, and a wedding is where the difference shows up most.

The family group list is also the one page somebody else has to read on the day. It goes on the call sheet along with the call times, so the person calling names forward is working from the same list you are.

Sizes, angles, priorities and the four fields a clip carries are the shot list’s own columns rather than a form invented for this page. Put the rows above into Latentshoot and the running order, the daylight band, the gear list and the call sheet are worked out from them.

Start this list in Latentshoot

Frequently asked

How long should I allow for family group photographs at a wedding?

Allow a few minutes per grouping and count the groupings, rather than allowing a single block for the whole section. Seven groupings at five minutes each is over half an hour once people have been found and arranged, and that is the arithmetic that gets missed — the individual numbers look small and the total does not.

Should the couple approve the wedding shot list before the day?

The family groups, certainly. That is the section that needs names rather than descriptions, and it is the section where a missing grouping is noticed weeks later by somebody who is not you. The rest of the list is your craft and does not need signing off.

When should couple portraits be scheduled?

At the last usable hour of sun, which is a real time you can look up for the venue and the date rather than a slot on a template. Everything else on a wedding day can move by a quarter of an hour; that window cannot, so it is the fixed point the afternoon should be built around.

Can one shot list cover photographs and clips at a wedding?

Yes, and keeping two documents is how the two people holding cameras end up in different rooms. A clip is a row on the same list carrying four things a photograph does not — what the camera does, the frame rate, whether sound is being recorded, and how long the delivered clip runs. The delivered length is in seconds and the estimate beside it is in minutes, because eight seconds of a slow walk is a fifteen-minute set-up.

No card. The free plan holds one active project at a time, which is one wedding from the first enquiry to the delivered gallery.